- To suit: l-mount full frame cameras (panasonic, leica l & sigma)
- Outstanding edge to edge performance
- Compatible with the usb dock
- Incorporates both "f" low dispersion (fld) glass & 5 special low dispersion (sld) glass
- Compatible with sony's continuous af (af-c) and high-speed autofocus
Truly wide and truly fast,,the Sigma 20mm f/1.4 DG HSM Art Lens for L-Mount offers incredible rendering performance delivering unprecedented visual experiences. The wide focal length and consistent image quality make this lens especially suitable for landscape, interior, architectural, and astrophotography applications, while the fast f/1.4 maximum aperture deems it ideal for natural and low-light shooting. This lens pairs a sophisticated optical design with a robust physical construction. Comprised of 15 elements in 11 groups, the lens design includes two "F" Low Dispersion (FLD) elements, five Special Low Dispersion (SLD) elements, and two aspherical elements to significantly reduce chromatic and spherical aberrations, as well as limit distortion for clean, sharp, and evenly illuminated imagery. A Super Multi-Layer Coating has also been applied to minimize surface reflections, flare, and ghosting for increased contrast and colour accuracy. Complementing the optical performance is an equally adept Hyper Sonic Motor, which provides fast, smooth, and near-silent autofocus performance. This focusing motor also enables full-time manual focus override at any time just by rotating the focus ring for refined manual control and focusing as close as 27.69 cm. The lens barrel is constructed using a Thermally Stable Composite material, which supports working in a wide variety of temperatures and conditions, and the lens mount is constructed from brass for long-term durability and mounting accuracy. SIGMA’s advanced technologies make a 20mm F1.4 lens possible World’s first 20mm F1.4 lens - thanks to advanced large-diameter aspherical lens manufacturing technologies To offer an ultra-wide-angle 20mm focal length and F1.4 brightness at wide-open aperture, this lens incorporates a large double aspherical lens 59mm in diameter. Lenses of this type had been considered extremely difficult to manufacture, but SIGMA took on the challenge to realize an F1.4 ultra-wide-angle lens that fulfills the strict performance requirements of the SIGMA Art line. What made this breakthrough possible were SIGMA’s advanced manufacturing technologies, which the company has developed over time by producing a wide range of ultra-wide-angle and large-aperture lenses. SIGMA’s advanced optical design minimizes distortion, transverse chromatic aberration, sagittal coma flare, and the reduction of brightness toward the edges of the image. Delivering top performance even at wide-open aperture, this lens can be considered the culmination of SIGMA’s Art line. Minimized chromatic aberrations This lens minimizes chromatic aberrations, a common issue in large-aperture ultra-wide-angle lenses. It features two FLD (“F” Low Dispersion)* glass and five SLD (Special Low Dispersion) glass elements to minimize transverse chromatic aberration, which is mainly visible around the edge of the image. The optimized lens power distribution helps minimize axial chromatic aberration. As a result, this lens delivers high image quality in every situation without colour smearing, and its rendering performance is consistently sharp with high contrast. *FLD glass is ultra-low-dispersion glass that offers performance of the highest level. Highly transparent, its refractive index and dispersion are extremely low as compared to conventional types of glass. These characteristics minimize residual chromatic aberration (secondary spectrum), which cannot be corrected by ordinary optical glass, while helping to produce sharp, high-contrast images. Minimized distortion Flare and ghosting reduction By adjusting the incidence angle of light starting with the first lens element and incorporating optimally positioned aspherical glass elements, the SIGMA 20mm F1.4 DG HSM | Art lens minimizes distortion throughout the entire image. From an early stage in the lens design process, flare and ghosting have been...